Generative Art Yellow on Black 2018 The art work reacts to human movement and sound.
Camporsevoli 02, Italy, summer 2018. Painting, Ink and acrylics on canvas. Size: 300 W x 210 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Camporsevoli 01, Italy, summer 2018. Painting, Ink and acrylics on canvas. Size: 300 W x 160 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Generative Art that reacts to human movement and sound.
Living Traces Generative Artwork July 2018 Vvvvenice Collaborative work Florencia S.M. Brück, Cory Rose, Marianne Mettler, Eda Sarman, Eva Videnska, Zackie Despoina Zachariadou with Natan Singiglia Our concept began by observing a behavior of disconnection between bodies and spaces, human and cities. So we decided to create two scenes expressing their relationship. In the first
by Florencia S.M. Brück and Susie Olczak Work made in Venice #PalazzoZenobio as part of the workshop led by Andrzej Welminski #Summeracademy. Based on the theme of Lviv – inside and outside. Furniture in a repetitive vortex suspended into water. Representing the displacement from their homes that the people of Lviv after WWII and modern
Based on the theme of “Lviv, View from Inside – View from Outside”, the work was made in Venice at Palazzo Zenobio as part of the workshop led by Andrzej Welminski International Summer Academy of Fine Arts and Media. Hardly any other city is as much a projection screen of dreams, transference and traumas as Lviv.
Inward, Berlin, summer 2018. Painting, Oil on canvas. Size: 150 W x 150 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Untitled, Berlin, summer 2018. Painting, Oil on canvas. Size: 150 W x 150 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Berlin June 2018
I don’t have a temple I don’t have a wall I leave a prayer note on a simple rock
Gate gate paragate parasamgate bodhi svaha. If we restrict our attention to the regime of psycho-physiological states where conscious self-awareness is clearly present (that is, excluding sleep and dreaming), the pattern induced by the TM (transcendental meditation) technique may be expressed as a physiological analogy of the Third Law of Thermodynamics.
Inspired by reading Vilém Flusser, I created this video art piece. The technological engagement against nature for survival. The inevitability of death and the cycle of renewal. Human culture is absurd, a failed attempts to attain immortality by preserving information after its creator’s death in the form of artifacts that eventually crumble and fade. “technology
2017-2018 As an interdisciplinary artist from various fields of practice, in this project I seek to navigate the confluence of art and technology. To express the tension that exists in the dialogue between the human brain and artificial intelligence. Rooted in the traditional medium of painting and crossing over into modern forms of art such
Brass Knot Sculpture symbolizes the mind.
Bishop of Rome, Vicar of Jesus Christ, Successor of the Prince of the Apostles, Supreme Pontiff of the Universal Church, Primate of Italy, Archbishop and Metropolitan of the Roman Province, Sovereign of the Vatican City State, Servant of the servants of God, PP, Dominus Apostolicus. Bishop of Rome, Buenos Aires, summer 2017. Painting, sgraffito Oil
Gilgamesh is the main character in the Epic of Gilgamesh, an Akkadian poem that is considered the first great work of literature, and in earlier Sumerian poems. … distress about Enkidu’s death causes Gilgamesh to undertake a long and perilous journey to discover the secret of eternal life. He eventually learns that “Life, which you