Pavilion O2 Hanover, A transnational pavilion to explore the common bio and cyber space of the future. Duration of the exhibition:Friday, August 21 to Sunday, September 13, 2020Vernissage: Thursday, August 20, 7 p.m. Curators: Tomasz Wendland and Harro Schmidt Out-of-Body by Florencia Brück The interactive installation captures the outline shapes of the viewers and splits them into two, like an “astral projection” or out-of-body experience, giving the viewer the sensation of feeling as if consciousness, or the self, is located somewhere other than where the body is physically located. The art installation uses kinect (motion sensors) technology in order to […]
GAD – Giudecca Art District and the General Consulate of Republic of Argentina in Milan are pleased to present Tension and Interlude a solo show of Florencia Brück. The exhibition comes at the final moment of the artist’s residence in GAD that started in the mid February. During these two months, Brück developed a corpus of new works in which she explores the nature of gravity and the actions of the erosion and vibrations within the canvases. Working with a self made preparation that behaves like oil on the canvas but with a controlled drying timeframe, the artist tries to […]
Generative Art InstallationFlorencia Bruck, Javier Krasuk and Harro SchmidtCurator: Tomasz Wendland Pavilion 02. Transnational Pavilion of a common bio and syber future in collaboration with GAD. Fabbrica H3 di SerendDPT. Campo Sacosmo 624, 30133. Venezia. One person becomes displaced every 2 seconds – less than the time it takes to read this sentence. The installation consist in the creation of a polycarbonate portal mapped with data visualization generative art. The projected images represented by irregular cubes in space are being altered by data driven bouncing forces addressing “world population displacement” The portal detects human proximity and changes the values of […]
Feb. 01, 2019. I initially apply form to the fabric in the same way I would create a sculpture and then I let particular prime in contrast with watering Indian ink arrange themselves trough the nature of gravity, the erosion, the vibrations within the waves of the canvas. Dew drops… about my sculpture-ink approach. I work with a self made medium that behaves like oil on the canvas but with a controlled drying time-frame. This particular prime in contrast with ink enables it to flow at a certain velocity that, depending on the speed and height of the folded canvas […]
Acrylic on canvas. 2019.. A big canvas always hangs in my studio and day after day it gets filled with doodles. These doodles help me to overcome the stress and to get into focus removing tension and mental blocks. They are like unconscious mental maps, letting go, allowing pure instinct to take form, becoming the channel for things to flow.
Human life takes place inside a series of concentric worlds, here pigeons representing the displacement of what’s real and what’s virtual, the consumption of digital content in contrast with the real food in this case outside our screen view, . Video Art Installation. 2019.
A glitch is what monitors display when they encounter a corrupted digital data. Almost like a reverse engineering of a glitch error, this work creates an analog glitch from an old trinitron TV screen back to the canvas. A manual organique glitch effect. Trinitron Glitch Canvas. Italy, Spring 2019. Painting, Ink and acrylic on canvas. Size: 100 x 100 cm.
Yellow Italy (Venice), Spring 2019. Painting, Ink and acrylics on canvas. Size: 430 W x 160 H cm. © 2019 Florencia San Martin Brück/Artists Rights Society (ARS).
Tension One. Italy (Venice), Spring 2019. Ink on canvas. Size: 202 W x 363 H cm. © 2019 Florencia San Martin Brück/Artists Rights Society (ARS).
GAD – @giudeccaartdistrict, Artist in Residence from Feb 14 till April 14 – @one_contemporary_art #venice – Exhibition dates to be announced soon. ABOUT – GAD – GIUDECCA ART DISTRICT Giudecca Art District is a network of art professionals whose interest focuses on the island of Giudecca. GAD aims to create an attractive art pole far from the clamor of the mass tourism and close to a contemporary northern European industrial aesthetic. GAD mission is to gather the professional experiences of our team and partners, giving the opportunity to our interlocutors to be present in Venice with attentively selected projects, to guarantee […]
BRIDGE, CHORUS, VERSE, REFRAIN, ELISION, OUTRO, Italy, winter 2019. Chinese ink on canvas. Size: 63 x 93 cm
Camporsevoli 02, Italy, summer 2018. Painting, Ink and acrylics on canvas. Size: 300 W x 210 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Camporsevoli 01, Italy, summer 2018. Painting, Ink and acrylics on canvas. Size: 300 W x 160 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Generative Art that reacts to human movement and sound. Algorithms and rule sets are the ground for generative art – Artistic creation often starts with a conscious choice of these rules, but isn’t limited to any medium, topic, technique or philosophical context. Questions of order and chaos are intrinsically linked to these rules and determine its philosophical proximity to complexity theory (Stephen Wolfram and others). Generative art is either outcome or process of an artistic production based on autonomous systems – thus excluding human spectator agency. Interactive art, on the contrary, is based on spectator-ship agency. Interactive art is per […]
Our concept began by observing a behavior of disconnection between bodies and spaces, human and cities. So we decided to create two scenes expressing their relationship. In the first scene particles get emitted from people to represent the traces we leave that will eventually become the echoes of the past. In the second scene particles are autonomously generated creating a virtual space. There is an illusion that people pass by thinking they don’t affect the place and just observe it from a distance. But in reality human interaction in the space is highly connected and defines its identity. #vvvv #generativeart […]
Furniture in a repetitive vortex suspended into water. Representing the displacement from their homes that the people of Lviv after WWII and modern day refugees were subjected to. History keeps repeating itself in an endless loop. By projecting up onto the ceiling of the Palazzio, the viewer is forced to look up, the surreal scene of the spinning chair in water above gives the sense that they are submerged under water. The work sits in-between something peaceful but volatile and uses water as a metaphor for the turbulence that people feel in their life when forced to evacuate their homes. […]
CURL Sculpture, Copper.2018, Berlin.
Performance and sculpture works based on the theme of “Lviv, View from Inside – View from Outside”, led by Andrzej Welminski,Venice, Palazzo Zenobio. 2018 Hardly any other city is as much a projection screen of dreams, transference and traumas as Lviv. For some, Lviv is the city of the Austrian Monarchy culture, writers and philosophers such as Bruno Schulz, Josef Roth, Sholem Aleichem. And we identify with their art and writing. For others, Lviv is the city of the coexistence of many peoples, Poles, Jews, Armenians and German speaking. For others, Lviv means easing their feelings of shame of being […]
For this year’s BAI OPEN HOUSE on May 26 + 27, 2018 Berlin Art Institute will present the exhibition BAI FELLOWS. On display will be a selection of works by current and former participants. The event is part of artspring 2018. With its innovative concept of an international and contemporary art school and residency, the BAI is a new and independent institute for artistic training and advanced training and research in Berlin. The BERLIN ART INSTITUTE is located in the building complex 404 at Industriebahn Berlin in the Berlin district of Weißensee. Mit Arbeiten von | With works by: Carolina Amaya | Ozlem Armutcuoglu | Tara Ayough | Florencia San […]
I don’t have a templeI don’t have a wallI leave a prayer noteon a simple rock