{"id":7,"date":"2012-08-16T13:06:14","date_gmt":"2012-08-16T11:06:14","guid":{"rendered":"http:\/\/florenciasanmartin.com\/web\/?page_id=7"},"modified":"2026-10-22T00:49:35","modified_gmt":"2026-10-21T22:49:35","slug":"biography","status":"publish","type":"page","link":"https:\/\/florenciabruck.com\/web\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">\u201cI seek to navigate the confluence of art, consciousness and technology \u2014 to question the tension in the dialogue between the human, the artificial and nature.\u201d<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Florencia S.M. Br\u00fcck is an Italo-Argentinian artist and programmer. She has studios in Milan, Washington DC and Argentina.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Her practice moves between paint, sculpture, photography, sound and poetic code. On canvas her subjects are time and memory through form; in the digital projects, alternate states of reality. Her research stays with the tension in the dialogue between the human, the artificial and nature. Recent projects include <a href=\"https:\/\/florenciabruck.com\/web\/memory-recall\/\">Memory Recall<\/a> (2025\u20132026), a three-channel video art installation developed during the D.A.I.R. residency at Fondazione Giorgio Cini, in which archival photographs, their reanimation by artificial intelligence and her own memories become three layers of a single recollection; and Pliage Music Box (2026), which reads the ink of her Pliage paintings as the score of a mechanical music box, turning painting into sound. Earlier installations such as Out-of-Body (Kunsthalle Faust, Hannover, 2020) and Far From Home (Venice, 2019) made the visitor\u2019s presence part of the work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Her work has been presented in museums, public spaces and galleries across Europe, the Middle East, the United States and Latin America, including the Venice Art Biennale, Centro Cultural Borges, Art Dubai, MiArt, Fuori Salone Milano Design Week, Houston Fine Art Fair, Kunsthalle Faust Hannover, Evita Museum, and Berlin Art Spring. In 2026 her work is part of ALL NATURAL at St\u00e4dtische Galerie KUBUS and Kesselhaus Linden, Hannover, and of the first Festival de Arte Digital at MAC Lima, Museo de Arte Contempor\u00e1neo de Lima (2026\u20132027). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She won the D.A.I.R. Award 2025 from Fondazione Giorgio Cini. Awarded the Menci\u00f3n Especial del Jurado at PhotoClub Buenos Aires in 2010. She has spoken at IKT &amp; Plus Tate Talk, NFT.NYC London and Art Dubai Digital, writes on art and artificial intelligence for Im@go. A Journal of the Social Imaginary (Edizioni Mimesis), and her work has appeared in Prompt Magazine and CIFRA. Co-founder of 9th.com and Decentral Art Pavilion, she has collaborated with Discovery Channel, the World Bank, Dolce &amp; Gabbana, Mediaset, Alcatel-Lucent, America\u2019s Cup, and Xbox. For her, the search itself becomes a form of existential art. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/florenciabruck.com\/web\/dew-drops-about-my-sculpture-ink-technique\/\">About my technique \u2014 the Pliage works \u2192<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading fb-sub\">Selected exhibitions and works<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Festival de Arte Digital \u2014 MAC Lima, Museo de Arte Contempor\u00e1neo de Lima, 2026\u20132027<\/li>\n\n\n\n<li>ALL NATURAL \u2014 <a href=\"https:\/\/florenciabruck.com\/web\/all-natural-staedtische-galerie-kubus-hannover\/\">St\u00e4dtische Galerie KUBUS<\/a> and <a href=\"https:\/\/florenciabruck.com\/web\/all-natural-kesselhaus-linden-hannover\/\">Kesselhaus Linden<\/a>, Hannover, 2026<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/yes-but-milano-art-week-2026\/\">Yes, But\u2026<\/a> \u2014 Milano Art Week and Milano Design Week, Milan, 2026<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/memory-recall\/\">Memory Recall<\/a> \u2014 video installation, 2025\u20132026<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/d-a-i-r-2025-two-digital-artists-selected-for-residence-at-the-fondazione-giorgio-cini\/\">D.A.I.R. Award, Digital Artist in Residence<\/a> \u2014 Fondazione Giorgio Cini, Venice, 2025<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/a-new-horizon-unfolds-venice-riyadh-and-the-legacy-of-marco-polo\/\">A New Horizon Unfolds: Venice, Riyadh and the Legacy of Marco Polo<\/a> \u2014 L&#8217;Art Pur Foundation, Riyadh, 2025<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/suspended-between-at-bosch-beyond-exhibition-kuhlhaus-berlin\/\">Suspended Between<\/a> \u2014 Bosch &amp; Beyond, K\u00fchlhaus, Berlin, 2025<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/ai-futuristic-narratives-in-historical-artistry\/\">AI Futuristic Narratives in Historical Artistry<\/a> \u2014 Art Dubai, 2024<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/urban-heart\/\">AI Opulence<\/a> \u2014 Urban Heart by Urban Vision, Milan, Rome, Naples and Catania, 2024<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/eclosion-collection-maison-sarayan-december-15th-2023-marrakesh\/\">\u00c9closion<\/a> \u2014 Maison Sarayan, Marrakesh, 2023<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/light-time-lab-ii-media-interventions-and-light-art-in-hannover-city-hall\/\">Light Time Laboratory II<\/a> \u2014 Hannover City Hall, Kunsthalle Faust, Hanover, 2023<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/ai-transcendence-for-i-am-paris-exhibition\/\">AI Transcendence<\/a> \u2014 I Am, Galerie IHAM, Paris, 2023<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/lucid-meta-morphosis-worlds-first-360-art-experience-that-stimulates-all-5-senses\/\">Lucid Meta-morphosis<\/a> \u2014 Boulevart, Art in Space, Dubai, 2023<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/decentral-art-pavilion-venice-art-biennale-2022\/\">Out of Body<\/a> \u2014 Venice Art Biennale edition, Palazzo Giustinian Lolin, Venice, 2022<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/replication\/\">Replication<\/a> \u2014 Kesselhaus Linden, Hanover, 2021<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/arche-feedback_society\/\">Arche&#8217; :: Feedback_Society<\/a> \u2014 Venice Architecture Biennale, Giudecca Art District, Venice, 2021<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/mostra-santi-quaranta-chiesa-di-san-vittore-e-40-martiri\/\">Santi Quaranta<\/a> \u2014 Chiesa di San Vittore e 40 Martiri, Milan, 2021<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/out-of-body-kunsthalle-faust-hannover-de\/\">Out-of-Body<\/a> \u2014 Kunsthalle Faust, Hanover, 2020<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/venice-art-biennale-2019-ffh-far-from-home\/\">Far From Home<\/a> \u2014 Venice Art Biennale, Pavilion 02, Venice, 2019<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/tension-interlude-exhibition-venice\/\">Tension and Interlude<\/a> \u2014 solo show, Giudecca Art District, Venice, 2019<\/li>\n\n\n\n<li><a href=\"https:\/\/florenciabruck.com\/web\/evita-la-razon-de-su-imagen-evita-museum-argentina\/\">Evita. La raz\u00f3n de su imagen<\/a> \u2014 Evita Museum, Buenos Aires, 2017<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading fb-sub\">Artist residencies<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Digital Artist in Residency Award, Fondazione Giorgio Cini \u2014 2025<\/li>\n\n\n\n<li>International Summer Academy of Fine Arts and Media, Venice \u2014 2019<\/li>\n\n\n\n<li>GAD Giudecca Art District, Venice \u2014 2019<\/li>\n\n\n\n<li>BAI Berlin Art Institute Artist Residence, Berlin \u2014 2018<\/li>\n\n\n\n<li>International Summer Academy of Fine Arts and Media, Venice \u2014 2018<\/li>\n\n\n\n<li>International Summer Academy of Fine Arts and Media, Venice \u2014 2016<\/li>\n\n\n\n<li>Artist Residency, A.I.R. Vallauris, France \u2014 2014<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading fb-sub\">Studies<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Torcuato Di Tella University, Eduardo Stupia \u2014 Painting<\/li>\n\n\n\n<li>Andrzej Welminski \u2014 Sculpture and Performance<\/li>\n\n\n\n<li>Natan Sinigalia \u2014 Interactive Media and Generative Arts<\/li>\n\n\n\n<li>Andrew Quinn \u2014 Interactive Media and Generative Arts<\/li>\n\n\n\n<li>Cazadores del Arte, Manuel Ameztoy, Sergio Baz\u00e1n, Alejandra Roux and Augusto Zanel \u2014 Art Clinic<\/li>\n\n\n\n<li>Scuola dei Fotografi Giac Casale \u2014 Photography<\/li>\n\n\n\n<li>Andres Waissman \u2014 Painting<\/li>\n\n\n\n<li>Helena Distefano \u2014 Painting<\/li>\n\n\n\n<li>Heriberto Zorrilla \u2014 Painting<\/li>\n\n\n\n<li>Wolf Werdigier \u2014 Painting<\/li>\n\n\n\n<li>Lois Renner \u2014 Painting<\/li>\n\n\n\n<li>\u00c9cole municipale des Beaux-Arts, Jacotte Capron \u2014 Masterclass Raku<\/li>\n\n\n\n<li>Goethe Institute \u2014 MOOC \u201cManaging the Arts\u201d<\/li>\n\n\n\n<li>Museo Nacional de Bellas Artes, Buenos Aires, Mauro Buscemi \u2014 Temple studies<\/li>\n\n\n\n<li>MoMA, The Museum of Modern Art \u2014 \u201cModern Art &amp; Ideas\u201d<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading fb-sub\">Publications<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Br\u00fcck, Florencia S.M. \u201cMemory Divergence: An Artist\u2019s Reflection on AI and the Preservation of Truth.\u201d <em>Im@go. A Journal of the Social Imaginary<\/em> 23 (2024): 429\u2013438. Edizioni Mimesis. DOI 10.13129\/2281-8138\/2024.0.429-438<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading fb-sub\">Contact<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"mailto:info@florenciabruck.com\">info@florenciabruck.com<\/a><\/li>\n\n\n\n<li>Italy +39 347 936 0151 \u00b7 USA +1 202 641 2332<\/li>\n\n\n\n<li>Art Studio \u2014 Via Arrigo Boito 8, 20121 Milan MI, Italy<\/li>\n\n\n\n<li><a href=\"https:\/\/www.instagram.com\/florenciabruck\/\">Instagram @florenciabruck<\/a> \u00b7 <a href=\"https:\/\/www.instagram.com\/florenciabruck.digital\/\">@florenciabruck.digital<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.linkedin.com\/in\/florenciabruck\/\">LinkedIn<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201cI seek to navigate the confluence of art, consciousness and technology \u2014 to question the tension in the dialogue between the human, the artificial and nature.\u201d Florencia S.M. Br\u00fcck is an Italo-Argentinian artist and programmer. She has studios in Milan, Washington DC and Argentina. Her practice moves between paint, sculpture, photography, sound and poetic code.\u2026<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":282,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":8200,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/pages\/7\/revisions\/8200"}],"wp:attachment":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}