I approach the canvas with no models in mind, connecting to chaos, which is the basis of creation, which manifests from something unique to formless nothing. I cast light on forms previously in the shadows of the unconscious. Once the chaos has unfolded its the sensibility and reaction to color and form that gives shape to the abstract journey.
The making of art is formative in coming into consciousness \u2014 \u201cawakening\u201d.<\/p>\n\n\n\n
Both. Music serves to stimulate desire just like colors, but then I forget everything around me, and I realize that I have been in solitary silence for hours listening only to the music of colors.<\/p>\n\n\n\n
Any work of art from the greatest Gustave Moreau, it could be the Deva and Griffon. Moreau was a professor at Paris\u2019 \u00c9cole des Beaux-Arts and among his many students were the fauvist painters, Henri Matisse and Georges Rouault. Moreau inspired surrealist artists like Max Ernst and Salvador Dal\u00ed. Andr\u00e9 Breton famously used to \u201chaunt\u201d Moreau\u2019s museum and regarded him as a precursor of Surrealism.<\/p>\n\n\n\n
Inspiration exists but it has to catch you working.<\/p>\n\n\n\n
I am constantly reading, I enjoy ancient history, art, Egyptology, I particularly enjoy reading biographies. If I had to choose a novelist I would choose Hermann Hesse because he was a companion during the troubled teen years when I was trying to understand myself (\u201cNot that I ever did\u201d).<\/p>\n\n\n\n
Me acerco a la tela sin ning\u00fan modelo en la mente, me conecto solo con mi subconsciente, que es la base de la creaci\u00f3n y de donde se manifiesta algo \u00fanico. Arrojo luz sobre las formas previamente en las sombras del inconsciente y una vez que el caos se ha desarrollado busco estructuras en su sensibilidad y reacciono ante al color y la forma, los cuales dan inicio hacia el viaje abstracto. La experimentaci\u00f3n del arte es formativa en llegar a la conciencia – “el despertar”.<\/p>\n\n\n\n
Las dos cosas. La m\u00fasica sirve para estimular el deseo al igual que los colores, pero luego se me olvida todo a mi alrededor, y me doy cuenta de que he estado en silencio solitario durante horas escuchando s\u00f3lo a la m\u00fasica de colores.<\/p>\n\n\n\n
Cualquier obra de arte del maestro Gustave Moreau, podr\u00eda ser el Deva y el Griffon. Moreau fue profesor en el Par\u00eds’ \u00c9cole des Beaux-Arts y entre sus muchos estudiantes encontramos a los fovistas, Henri Matisse y Georges Rouault. Moreau inspir\u00f3 artistas surrealistas como Max Ernst y Salvador Dal\u00ed. Andr\u00e9 Breton sol\u00eda deambular por horas el museo de Moreau y lo consideraba como un precursor del surrealismo.<\/p>\n\n\n\n
La inspiraci\u00f3n existe pero te tiene que agarra trabajando.<\/p>\n\n\n\n
Estudio todo el tiempo, soy fan\u00e1tica de la historia, el arte, la Egiptolog\u00eda y me gusta particularmente leer biograf\u00eda. Si tuviera que elegir a un novelista, seguramente seria Hermann Hess porque me acompa\u00f1\u00f3 durante los dif\u00edciles a\u00f1os de la adolescencia cuando uno busca entenderse a si mismo (aun sigo busc\u00e1ndome).<\/p>\n","protected":false},"excerpt":{"rendered":"
INTERVIEW -What are the major themes you pursue in your work? I approach the canvas with no models in mind, connecting to chaos, which is the basis of creation, which manifests from something unique to formless nothing. I cast light on forms previously in the shadows of the unconscious. Once the chaos has unfolded its the sensibility and reaction to color and form that gives shape to the abstract journey.The making of art is formative in coming into consciousness \u2014 \u201cawakening\u201d. – DO YOU Prefer to work with music or in silence? Both. Music serves to stimulate desire just like… <\/p>\n","protected":false},"author":1,"featured_media":1251,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"bBlocksCursorData":"","footnotes":""},"categories":[97],"tags":[],"class_list":["post-1244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts\/1244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/comments?post=1244"}],"version-history":[{"count":9,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts\/1244\/revisions"}],"predecessor-version":[{"id":3071,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts\/1244\/revisions\/3071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/media\/1251"}],"wp:attachment":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/media?parent=1244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/categories?post=1244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/tags?post=1244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}