{"id":5317,"date":"2024-06-20T21:41:05","date_gmt":"2024-06-20T19:41:05","guid":{"rendered":"https:\/\/florenciabruck.com\/web\/?p=5317"},"modified":"2025-01-15T21:53:39","modified_gmt":"2025-01-15T20:53:39","slug":"the-imaginary-of-artificial-intelligence-no-24-2024","status":"publish","type":"post","link":"https:\/\/florenciabruck.com\/web\/the-imaginary-of-artificial-intelligence-no-24-2024\/","title":{"rendered":"The Imaginary of Artificial Intelligence, No 24 (2024)"},"content":{"rendered":"\n

Excited to share my contribution to the latest issue of Im@go (No. 23) alongside many talented authors, writers, scientists, artists ! A big thank you to Prof. Maria Giovanna Musso and the entire editorial team for making this publication possible. It\u2019s an honor to be part of such a meaningful project that explores creativity, art, and sociology.<\/p>\n\n\n\n

\"Page<\/figure>\n\n\n\n

No 24 (2024)<\/h2>\n\n\n\n

The Imaginary of Artificial Intelligence<\/h3>\n\n\n
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\"\"<\/figure>\n<\/div>\n\n\n

Editors:\u00a0Maria Giovanna Musso \/\u00a0Michela Musto \/\u00a0Maria Francesca Musto<\/a><\/p>\n\n\n\n

Im@go. A Journal of the Social Imaginary – Biannual – Edizioni Mimesis<\/p>\n\n\n\n

Full Issue<\/h3>\n\n\n\n
View or download the full issue<\/td>PDF<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Table of Contents<\/h3>\n\n\n\n

Editorial<\/h4>\n\n\n\n
Editorial Board<\/a> Maria Giovanna Musso, Michela Musto, Maria Francesca Musto<\/td>PDF<\/a>13-20<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Topic<\/h4>\n\n\n\n
Interactions between a human and a Chat Bot: The Mythopoietic narrative of unlimited possibilities<\/a> Simone D\u2019Alessandro, Francesco Ferzetti<\/td>PDF<\/a>23-37<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Tecnotopie. Per una epistemologia simbolica degli algoritmi intelligenti<\/a> Edmondo Grassi<\/td>PDF (Italiano)<\/a>39-54<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Forme e tropi dell\u2019immaginario dell\u2019Intelligenza Artificiale: il contributo della filosofia di Yuk Hui<\/a>Giulia Crippa<\/td>PDF (Italiano)<\/a>55-70<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Bambini artificiali. La metafora del bambino e l\u2019immaginario dell\u2019IA<\/a> Paolo Bory<\/td>PDF (Italiano)<\/a>71-86<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Coscienza e Intelligenza Artificiale: due ontologie dell\u2019immaginario<\/a> Maurizio Bonolis, Barbara Sonzogni<\/td>PDF (Italiano)<\/a>87-108<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
La politica dell\u2019intelligenza artificiale general purpose: immaginari socio-tecnici, democrazia e policy frame nel processo decisionale della regolazione europea (\u201cEU AI ACT\u201d – 2022-2024)<\/a> Riccardo Corsi, Ernesto d\u2019Albergo<\/td>PDF (Italiano)<\/a>109-130<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
AI Imaginaries and Narratives in the Italian Public Discourse: The Impact of ChatGPT<\/a> Stefano Spillare, Michele Bonazzi, Piergiorgio Degli Esposti<\/td>PDF<\/a>131-147<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
AI in the Public Sector: An Exploration of Social Imaginaries<\/a>Antonio Opromolla, Silvia Di Rocco, Lorenza Parisi<\/td>PDF<\/a>149-167<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Sociotechnical imaginaries of artificial intelligence in EU law making: a focus on crime and security<\/a> Anita Lavorgna<\/td>PDF<\/a>169-191<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
El amor imaginario. Una mirada sociol\u00f3gica a las relaciones amorosas y la inteligencia artificial<\/a> Paulina Sabugal<\/td>PDF (Espa\u00f1ol (Espa\u00f1a))<\/a>193-213<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Quando l\u2019intelligenza artificiale \u00e8 donna: la rappresentazione dell\u2019AI in alcuni film di successo<\/a> Antonella Capalbi<\/td>PDF (Italiano)<\/a>215-233<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Oltre L\u2019Immaginario. Quando l\u2019AI va in guerra<\/a> Francesca Farruggia<\/td>PDF (Italiano)<\/a>235-247<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Immaginario Black Box: prospettive mitiche e critiche tra innovazione bellica ed esplorazione artistica<\/a> Lorenzo Aimo, Luca Brunet<\/td>PDF (Italiano)<\/a>249-275<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Oltre l\u2019estetica McNuggets. Esplorazioni creative e interazioni tecno-sociali nella produzione artistica realizzata con l\u2019IA<\/a> Paola Panarese, Vittoria Azzarita, Maddalena Carbonari<\/td>PDF (Italiano)<\/a>277-290<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
AI\u2019s influence on the Creative and Cultural Industries<\/a> Ingrid Kofler, Mustapha El Moussaoui, Romuald Jamet<\/td>PDF<\/a>291-312<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Off Topic<\/h4>\n\n\n\n
Manosfera e pick-up artists<\/a> Giovanna Vingelli<\/td>PDF (Italiano)<\/a>315-333<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Siamo l\u2019esercito dei \u201cbravi ragazzi\u201d. La politica identitaria della manosphere<\/a> Manolo Farci<\/td>PDF (Italiano)<\/a>335-353<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
L\u2019odio indicibile: un\u2019indagine etnografica digitale sulle comunit\u00e0 Femcel<\/a> Antonia Cava, Debora Pizzimenti<\/td>PDF (Italiano)<\/a>355-373<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Stigma e gestione dell\u2019identit\u00e0 nelle piattaforme digitali<\/a> Assunta Penna<\/td>PDF (Italiano)<\/a>375-389<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Focus<\/h4>\n\n\n\n
Intelligenza artificiale. E se avessimo sbagliato metafora? Una riflessione a partire da Comunicazione artificiale. Come gli algoritmi producono intelligenza artificiale di Elena Esposito (2022)<\/a> Olimpia Affuso<\/td>PDF (Italiano)<\/a>393-403<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Nella spirale della conoscenza: arte e scienza tra creativit\u00e0 e metodo<\/a> Daniele Garritano<\/td>PDF (Italiano)<\/a>405-417<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Aisthesis<\/h4>\n\n\n\n
Gioia Mia<\/a> Iginio De Luca<\/td>PDF (Italiano)<\/a>421-427<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Memory Divergence: An Artist\u2019s Reflection on AI and the Preservation of Truth<\/a> Florencia S.M. Br\u00fcck<\/td>PDF<\/a>429-438<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
An Algorithmic Commentary On The Photographic Essay intitled \u00abLLDLC \/ G. A Non-Human Overcomplicated Photographic Essay exploring the intersectionality of Gibraltar and La Linea De La Conception in the wake of Roland Barthes\u2019 \u00abS\/Z\u00bb as the Artificial Intelligence said to subtitle it\u00bb<\/a> Chat GPT40, Yann Tostain, Marco Barbon<\/td>PDF<\/a>439-467<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n


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Excited to share my contribution to the latest issue of Im@go (No. 23) alongside many talented authors, writers, scientists, artists ! A big thank you to Prof. Maria Giovanna Musso and the entire editorial team for making this publication possible. It\u2019s an honor to be part of such a meaningful project that explores creativity, art, and sociology. No 24 (2024) The Imaginary of Artificial Intelligence Editors:\u00a0Maria Giovanna Musso \/\u00a0Michela Musto \/\u00a0Maria Francesca Musto Im@go. A Journal of the Social Imaginary – Biannual – Edizioni Mimesis Full Issue View or download the full issue PDF Table of Contents Editorial Editorial Board… <\/p>\n","protected":false},"author":1,"featured_media":5318,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[108],"tags":[],"class_list":["post-5317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projects"],"_links":{"self":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts\/5317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/comments?post=5317"}],"version-history":[{"count":1,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts\/5317\/revisions"}],"predecessor-version":[{"id":5319,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts\/5317\/revisions\/5319"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/media\/5318"}],"wp:attachment":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/media?parent=5317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/categories?post=5317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/tags?post=5317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}