{"id":5607,"date":"2026-04-18T11:59:00","date_gmt":"2026-04-18T09:59:00","guid":{"rendered":"https:\/\/florenciabruck.com\/web\/?p=5607"},"modified":"2026-10-16T12:55:38","modified_gmt":"2026-10-16T10:55:38","slug":"yes-but-milano-art-week-2026","status":"publish","type":"post","link":"https:\/\/florenciabruck.com\/web\/yes-but-milano-art-week-2026\/","title":{"rendered":"Yes, But\u2026"},"content":{"rendered":"\n
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\"Yes,<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Yes,
Stefano Pirovano, curator<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Florencia S.M. Br\u00fcck<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Yes,
Aaron Nachtailer<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Rocco Plessi<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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VivirDC: Simone di Giuseppe, Giancarlo di Giuseppe and Bruno Cerella<\/figcaption><\/figure>\n\n\n\n
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Group exhibition. Milano Art Week 2026, 18\u201321 April 2026. Viale Sarca 183, Milan.<\/p>\n\n\n\n

Yes, But\u2026<\/em> is a nomadic format. It opens buildings that are in a moment of passage, destined for transformation or demolition, and activates them for a few days through contemporary art before something new takes their place. Each building becomes a single episode; the method stays the same: observe, listen, activate.<\/p>\n\n\n\n

The first edition took place at Viale Sarca 183, in the Bicocca district, a few minutes from Pirelli HangarBicocca, within the official programme of Milano Art Week 2026 and in partnership with the Comune di Milano. Nothing in the building was hidden. The route ran from the basement to the first floor, through broken walls, exposed brick and patterned floors, so that every work met the space as it was: at the end of one life and not yet at the beginning of the next.<\/p>\n\n\n\n

Artists<\/h3>\n\n\n\n

Aaron Nachtailer, Florencia S.M. Br\u00fcck, Morgane Tschiember, Rocco Plessi.<\/p>\n\n\n\n

The text<\/h3>\n\n\n\n

Stefano Pirovano wrote the critical text as a short story set in the same building in 1979, years after the Pirelli workers\u2019 library had left it. A group of artists decides to show their work among the cracks and the debris; a critic tells them no to everything, then comes back on the last day, sits inside the circle of stones and listens to a drop falling.<\/p>\n\n\n\n

Read the text: English<\/a> \u00b7 Italiano<\/a><\/p>\n\n\n\n

Florencia S.M. Br\u00fcck<\/h3>\n\n\n\n

For the central rooms Florencia brought Irreversible Amid Uncertainty<\/em><\/a>: the four round canvases of Being Present<\/em>, the four ten-metre canvases of Residual Memory<\/em> falling from the ceiling to the floor, Floating Water Stones<\/em><\/a>, and two earlier paintings, Chorus<\/em> and Verse<\/em><\/a> (2019).<\/p>\n\n\n\n

Credits<\/h3>\n\n\n\n

Created by Aaron Nachtailer Studio. Text by Stefano Pirovano. Main partner VivirDC, abitare per vivere. With the support of Bruno Cerella, Giancarlo di Giuseppe and Simone di Giuseppe. Communication: Press & Partners Communication. Video: BSA Studios. Internship: NABA, Nuova Accademia di Belle Arti. Pop-up bar: Sospiri Botaniche Veneziane.<\/p>\n\n\n\n

Works shown<\/h3>\n\n\n\n

Irreversible Amid Uncertainty<\/em><\/a><\/p>\n\n\n\n

Floating Water Stones<\/em><\/a><\/p>\n\n\n\n

Bridge, Chorus, Verse, Refrain, Elision, Outro<\/em><\/a><\/p>\n\n\n\n

<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Yes, But\u2026 opened Viale Sarca 183 for Milano Art Week 2026: a building at the end of one life and not yet at the beginning of the next, with works by Aaron Nachtailer, Florencia S.M. Br\u00fcck, Morgane Tschiember and Rocco Plessi.<\/p>\n","protected":false},"author":1,"featured_media":7815,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"fsmb_year":"2026","fsmb_venue":"Milano Art Week, Viale Sarca 183","fsmb_medium":"Folded canvas, Indian ink, self-made medium","fsmb_collection":"","fsmb_exhibition":false,"footnotes":""},"categories":[97,45],"tags":[197],"class_list":["post-5607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-paintings","tag-event"],"_links":{"self":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts\/5607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/comments?post=5607"}],"version-history":[{"count":37,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts\/5607\/revisions"}],"predecessor-version":[{"id":7781,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/posts\/5607\/revisions\/7781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/media\/7815"}],"wp:attachment":[{"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/media?parent=5607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/categories?post=5607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/florenciabruck.com\/web\/wp-json\/wp\/v2\/tags?post=5607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}