Irreversible Amid Uncertainty

Irreversible Amid Uncertainty inhabits the threshold between stillness and transformation — suspended forms held in fragile suspension while, in another corner, a drop continues to fall.

Each mark alters the surface that receives the next, so that even in stillness the work remains in a state of becoming. It unfolds as a meditation on life within uncertainty: on the desire to arrest time even as the world accelerates, and on the inevitability of forces already rewriting the present.

Part of the Pliage series, this work emerges from a process in which painting and sculpture become inseparable. The canvas is first folded and shaped into a temporary sculptural form, after which Indian ink is poured across its surface and left to flow through the folds under the forces of gravity, absorption, and erosion.

Once unfolded, the fabric reveals the traces of this process: accumulations, fractures, and fluid trajectories formed beyond the artist’s direct control. In some works, the canvas is subsequently folded again into a new configuration, allowing the image to remain in a state of continual transformation.

More about the process in About My Pliage Painting Approach.

installation Artworks

Being Present Collections (4): Trace, Suspension, Stillness and Release, Indian Ink on Canvas 120 x 120cm, 2026.

Residual Memory Collection (4): Flow, Pause, Breath and Return, Indian Ink on Canvas 200cm x 10meters 2026.

Floating Water Stones (1) sculpture, 50 x 75cm, 2024.

Chorus and Verse (2), Indian Ink on Canvas 63 × 93 cm, 2019.

Shown at

Yes, But…, Milano Art Week, Viale Sarca 183, Milan, 18–21 April 2026