← Venice Art Biennale 2019: FFH – FAR FROM HOMELaboratory for algorithmic mark making → 2019. In the realm of contemporary art, few works capture the essence of technological mediation and its impact on our perception of reality quite like Florencia S.M. Brück’s latest installation. This thought-provoking piece comprises a simple yet deeply symbolic setup: an iPad displaying a video of pigeons foraging for food, juxtaposed with real pigeon food placed tantalizingly out of reach on a nearby table. This deceptively straightforward arrangement serves as a profound commentary on the nature of telestivity, time, and space in the digital era.…
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← Reflected LightTension & Interlude Solo Exhibition, 12-14 April,Venice → Yellow Italy (Venice), Spring 2019. Painting, Ink and acrylics on canvas. Size: 430 W x 160 H cm. © 2019 Florencia San Martin Brück/Artists Rights Society (ARS). ← Reflected LightTension & Interlude Solo Exhibition, 12-14 April,Venice →
Tension & Interlude Solo Exhibition, 12-14 April,Venice
← YellowHalo Interlude → GAD – Giudecca Art District and the General Consulate of Republic of Argentina in Milan are pleased to present Tension and Interlude a solo show of Florencia Brück. The exhibition comes at the final moment of the artist’s residence in GAD that started in the mid February. During these two months, Brück developed a corpus of new works in which she explores the nature of gravity and the actions of the erosion and vibrations within the canvases. Working with a self made preparation that behaves like oil on the canvas but with a controlled drying timeframe,…
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← Tension & Interlude Solo Exhibition, 12-14 April,VeniceTension One → Halo Interlude. Italy (Venice), Spring 2019. Painting, Ink and acrylics on canvas. Size: 96 x 152 cm. © 2019 Florencia San Martin Brück/Artists Rights Society (ARS). ← Tension & Interlude Solo Exhibition, 12-14 April,VeniceTension One →
Tension One
← Halo InterludeLilac Interlude → Tension One. Italy (Venice), Spring 2019. Ink on canvas. Size: 202 W x 363 H cm. © 2019 Florencia San Martin Brück/Artists Rights Society (ARS). NFT https://superrare.com/artwork-v2/tension-1-34249 ← Halo InterludeLilac Interlude →
Lilac Interlude
← Tension OneGAD Artist in Residence → Lilac Interlude. Italy (Venice), Spring 2019. Painting, Ink and acrylics on canvas. Size: 96 x 152 cm. © 2019 Florencia San Martin Brück/Artists Rights Society (ARS). ← Tension OneGAD Artist in Residence →
Connektome Project
← AREA – Flow through the colors {match with the star}Prunes → Drawing inspiration from philosopher Byung-Chul Han’s exploration of fatigue in capitalist societies, this project delves into the pressing issues of burnout and the ensuing loss of meaning. As an interdisciplinary artist with a background spanning various practices, I meld the realms of art and technology, aiming to capture the tension inherent in the interplay between human cognition and artificial intelligence. This evolving collection began with interpretations in photography and magazines, and has since expanded to include 3D sculptures, immersive video narratives within virtual realms called “Metaverse Archaeologist”, generative…
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← Lilac InterludeBRIDGE, CHORUS, VERSE, REFRAIN, ELISION, OUTRO → GAD – @giudeccaartdistrict, Artist in Residence from Feb 14 till April 14 – @one_contemporary_art #venice – Exhibition dates to be announced soon. ABOUT – GAD – GIUDECCA ART DISTRICT Giudecca Art District is a network of art professionals whose interest focuses on the island of Giudecca. GAD aims to create an attractive art pole far from the clamor of the mass tourism and close to a contemporary northern European industrial aesthetic. GAD mission is to gather the professional experiences of our team and partners, giving the opportunity to our interlocutors to be…
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← GAD Artist in ResidenceCamporsevoli 02 → BRIDGE, CHORUS, VERSE, REFRAIN, ELISION, OUTRO, Italy, winter 2019. Chinese ink on canvas. Size: 63 x 93 cm ← GAD Artist in ResidenceCamporsevoli 02 →
Camporsevoli 02
← BRIDGE, CHORUS, VERSE, REFRAIN, ELISION, OUTROCamporsevoli 01 → Camporsevoli 02, Italy, summer 2018. Painting, Ink and acrylics on canvas. Size: 300 W x 210 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York. ← BRIDGE, CHORUS, VERSE, REFRAIN, ELISION, OUTROCamporsevoli 01 →
Camporsevoli 01
← Camporsevoli 02Home → Camporsevoli 01, Italy, summer 2018. Painting, Ink and acrylics on canvas. Size: 300 W x 160 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York. ← Camporsevoli 02Home →
Frozen Minotaur
← Mostra “Santi Quaranta” Chiesa di San Vittore e 40 MartiriClorofila → Frozen Minotaur. Buenos Aires, winter 2014. Painting, Oil on canvas, Size: 39.4 W x 47.2 H in (100 W x 120 H cm). © 2014 Florencia San Martin Brück/Artists Rights Society (ARS), New York In Greek mythology, the Minotaur was the offspring of the King Minos of Crete’s wife, and of a sacred white bull. It appeared as being part man, part bull, and was locked away in the middle of Labyrinth designed by Minos’ architect Daedalus. Every nine years, seven young men and seven young maidens were…
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← Frozen MinotaurAgate the Sphinx → Clorofila. Buenos Aires, winter 2014. Painting, Oil on canvas, Size: 47.2 W x 35.4 H in (120 W x 90 H cm). © 2014 Florencia San Martin Brück/Artists Rights Society (ARS), New York ← Frozen MinotaurAgate the Sphinx →
Agate the Sphinx
← ClorofilaClockwork Universe → Agate the Sphinx. Buenos Aires, winter 2014. Painting, Oil on canvas, Size: 47.2 W x 35.4 H in (120 W x 90 H cm). © 2014 Florencia San Martin Brück/Artists Rights Society (ARS), New York The painting depicts the Sphinx triumphs over Oedipus at the crossroads on his journey between Thebes and Delphi. The Sphinx may be seen as a form of femme fatale, a common theme in Symbolist painting. Opening poem of Buch der Leider by Heinrich Heine: Nightly I see you in dreams-you speak, With kindliness sincerest, I throw myself, weeping aloud and weak At…
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← Agate the SphinxAfter the Rain → ClockworkUniverse. Buenos Aires, winter 2014. Painting, Oil on canvas, Size: 47.2 W x 39.4 H in (120 W x 100 H cm). © 2014 Florencia San Martin Brück/Artists Rights Society (ARS), New York The “clockwork universe theory” compares the universe to a mechanical clock wound up by God and ticking along, as a perfect machine, with its gears governed by the laws of physics. What sets this theory apart from others is the idea that God’s only contribution to the universe was to set everything in motion, and from there the laws of…
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Inside the Studio
← The Imaginary of Artificial Intelligence, No 24 (2024)BAI OPEN HOUSE & BAI FELLOWS BERLIN → INTERVIEW -What are the major themes you pursue in your work? I approach the canvas with no models in mind, connecting to chaos, which is the basis of creation, which manifests from something unique to formless nothing. I cast light on forms previously in the shadows of the unconscious. Once the chaos has unfolded its the sensibility and reaction to color and form that gives shape to the abstract journey.The making of art is formative in coming into consciousness — “awakening”. – DO YOU…
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← Connektome ProjectScribbler Blossomed → Prunes, 2017, ink, acrylics and aquarelle on paper. ← Connektome ProjectScribbler Blossomed →
After the Rain
← Clockwork UniverseThe Triumph → After the Rain, Buenos Aires, 2017. Painting, Oil on canvas. Size: 120 W x 150 H cm. © 2017 Florencia San Martin Brück/Artists Rights Society (ARS), New York. ← Clockwork UniverseThe Triumph →
The Triumph
← After the RainMarcovaldo → Voltaire and the Triumph of the Enlightenment. The Triumph, Buenos Aires, 2017. Painting, Oil on canvas. Size: 120 W x 150 H cm. © 2017 Florencia San Martin Brück/Artists Rights Society (ARS), New York. ← After the RainMarcovaldo →