Category: Digital Moving Images and Generative Art

Generative Art that reacts to human movement and sound. Algorithms and rule sets are the ground for generative art – Artistic creation often starts with a conscious choice of these rules, but isn’t limited to any medium, topic, technique or philosophical context. Questions of order and chaos are intrinsically linked to these rules and determine its philosophical proximity to complexity theory (Stephen Wolfram and others). Generative art is either outcome or process of an artistic production based on autonomous systems – thus excluding human spectator agency. Interactive art, on the contrary, is based on spectator-ship agency. Interactive art is per…

The genesis of this concept is deeply rooted in keen observations of the disconnection between bodies and spaces, between humans and cities. This perception of an eerie disparity, a stark lack of cohesion, serves as a compelling call to action. The mission of this project is to illustrate this complex relationship in a manner both profound and tangible, leading to the creation of two distinct scenes that express this intricate dynamic. In the first scene, an interesting dynamic is introduced where particles are emitted from individuals. These particles symbolize the ephemeral footprints left behind as life is traversed, echoes of…

“Suspended Echos: The Repetitive Vortex of Displacement”, showcased in Venice’s esteemed Palazzo Zenobio, is an evocative representation of furniture spiraling endlessly in water. This arresting artwork serves as a symbolic testament to the relentless cycle of displacement endured by the people of Lviv following WWII, paralleling the experiences of today’s refugees. Created during a workshop led by the revered Andrzej Welminski, the theme explored was “Lviv – inside and outside”. The artwork’s display in Palazzo Zenobio is a reminder of history’s recurring patterns, compelling viewers to confront the resonating echoes of the past. As spectators gaze upwards at the projection…

Inspired by reading Vilém Flusser, I created this video art piece. The technological engagement against nature for survival. The inevitability of death and the cycle of renewal. Human culture  is absurd, a failed attempts to attain immortality by preserving information after its creator’s death in the form of artifacts that eventually crumble and fade. “technology & culture” are products of a “natural” neuronal circuits in human brains.