Prunes, 2017, ink, acrylics and aquarelle on paper.
Category: Projects
Bishop of Rome
Bishop of Rome, Buenos Aires, summer 2017. Painting, sgraffito Oil on canvas. Size: 120 W x 150 H cm. © 2017 Florencia San Martin Brück/Artists Rights Society (ARS), New York. Bishop of Rome, Vicar of Jesus Christ, Successor of the Prince of the Apostles, Supreme Pontiff of the Universal Church, Primate of Italy, Archbishop and Metropolitan of the Roman Province, Sovereign of the Vatican City State, Servant of the servants of God, PP, Dominus Apostolicus.
Sun and life
Sun and life, Graphite on paper, 28 x 43 cm, 2017.Set of 2 paper drawings. Each sold separately.
Backpack
Backpack, Buenos Aires, summer 2016. Painting, Ink and acrylics on canvas. Size: 100 W x 120 H cm. © 2016 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Laboratory for algorithmic mark making
Generative Art that reacts to human movement and sound. Algorithms and rule sets are the ground for generative art – Artistic creation often starts with a conscious choice of these rules, but isn’t limited to any medium, topic, technique or philosophical context. Questions of order and chaos are intrinsically linked to these rules and determine its philosophical proximity to complexity theory (Stephen Wolfram and others). Generative art is either outcome or process of an artistic production based on autonomous systems – thus excluding human spectator agency. Interactive art, on the contrary, is based on spectator-ship agency. Interactive art is per…
Read moreLiving Traces
The genesis of this concept is deeply rooted in keen observations of the disconnection between bodies and spaces, between humans and cities. This perception of an eerie disparity, a stark lack of cohesion, serves as a compelling call to action. The mission of this project is to illustrate this complex relationship in a manner both profound and tangible, leading to the creation of two distinct scenes that express this intricate dynamic. In the first scene, an interesting dynamic is introduced where particles are emitted from individuals. These particles symbolize the ephemeral footprints left behind as life is traversed, echoes of…
Read moreDisplacement
“Suspended Echos: The Repetitive Vortex of Displacement”, showcased in Venice’s esteemed Palazzo Zenobio, is an evocative representation of furniture spiraling endlessly in water. This arresting artwork serves as a symbolic testament to the relentless cycle of displacement endured by the people of Lviv following WWII, paralleling the experiences of today’s refugees. Created during a workshop led by the revered Andrzej Welminski, the theme explored was “Lviv – inside and outside”. The artwork’s display in Palazzo Zenobio is a reminder of history’s recurring patterns, compelling viewers to confront the resonating echoes of the past. As spectators gaze upwards at the projection…
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Lviv, View from Inside – View from Outside
Performance and sculpture works based on the theme of “Lviv, View from Inside – View from Outside”, led by Andrzej Welminski,Venice, Palazzo Zenobio. 2018 Hardly any other city is as much a projection screen of dreams, transference and traumas as Lviv. For some, Lviv is the city of the Austrian Monarchy culture, writers and philosophers such as Bruno Schulz, Josef Roth, Sholem Aleichem. And we identify with their art and writing. For others, Lviv is the city of the coexistence of many peoples, Poles, Jews, Armenians and German speaking. For others, Lviv means easing their feelings of shame of being…
Read moreInward
Inward, Berlin, summer 2018. Painting, Oil on canvas. Size: 150 W x 150 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Berlin
Berlin, Berlin, summer 2018. Painting, Oil on canvas. Size: 150 W x 150 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
