GAD – @giudeccaartdistrict, Artist in Residence from Feb 14 till April 14 – @one_contemporary_art #venice – Exhibition dates to be announced soon. ABOUT – GAD – GIUDECCA ART DISTRICT Giudecca Art District is a network of art professionals whose interest focuses on the island of Giudecca. GAD aims to create an attractive art pole far from the clamor of the mass tourism and close to a contemporary northern European industrial aesthetic. GAD mission is to gather the professional experiences of our team and partners, giving the opportunity to our interlocutors to be present in Venice with attentively selected projects, to guarantee…
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BRIDGE, CHORUS, VERSE, REFRAIN, ELISION, OUTRO

BRIDGE, CHORUS, VERSE, REFRAIN, ELISION, OUTRO, Italy, winter 2019. Chinese ink on canvas. Size: 63 x 93 cm
Camporsevoli 02

Camporsevoli 02, Italy, summer 2018. Painting, Ink and acrylics on canvas. Size: 300 W x 210 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Camporsevoli 01

Camporsevoli 01, Italy, summer 2018. Painting, Ink and acrylics on canvas. Size: 300 W x 160 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Laboratory for algorithmic mark making

Generative Art that reacts to human movement and sound. Algorithms and rule sets are the ground for generative art – Artistic creation often starts with a conscious choice of these rules, but isn’t limited to any medium, topic, technique or philosophical context. Questions of order and chaos are intrinsically linked to these rules and determine its philosophical proximity to complexity theory (Stephen Wolfram and others). Generative art is either outcome or process of an artistic production based on autonomous systems – thus excluding human spectator agency. Interactive art, on the contrary, is based on spectator-ship agency. Interactive art is per…
Read moreLiving Traces

The genesis of this concept is deeply rooted in keen observations of the disconnection between bodies and spaces, between humans and cities. This perception of an eerie disparity, a stark lack of cohesion, serves as a compelling call to action. The mission of this project is to illustrate this complex relationship in a manner both profound and tangible, leading to the creation of two distinct scenes that express this intricate dynamic. In the first scene, an interesting dynamic is introduced where particles are emitted from individuals. These particles symbolize the ephemeral footprints left behind as life is traversed, echoes of…
Read moreDisplacement

“Suspended Echos: The Repetitive Vortex of Displacement”, showcased in Venice’s esteemed Palazzo Zenobio, is an evocative representation of furniture spiraling endlessly in water. This arresting artwork serves as a symbolic testament to the relentless cycle of displacement endured by the people of Lviv following WWII, paralleling the experiences of today’s refugees. Created during a workshop led by the revered Andrzej Welminski, the theme explored was “Lviv – inside and outside”. The artwork’s display in Palazzo Zenobio is a reminder of history’s recurring patterns, compelling viewers to confront the resonating echoes of the past. As spectators gaze upwards at the projection…
Read moreLviv, View from Inside – View from Outside

Performance and sculpture works based on the theme of “Lviv, View from Inside – View from Outside”, led by Andrzej Welminski,Venice, Palazzo Zenobio. 2018 Hardly any other city is as much a projection screen of dreams, transference and traumas as Lviv. For some, Lviv is the city of the Austrian Monarchy culture, writers and philosophers such as Bruno Schulz, Josef Roth, Sholem Aleichem. And we identify with their art and writing. For others, Lviv is the city of the coexistence of many peoples, Poles, Jews, Armenians and German speaking. For others, Lviv means easing their feelings of shame of being…
Read moreThe Lightness of Being

Gate gate paragate parasamgate bodhi svaha — Gone, gone, gone beyond, gone altogether beyond, enlightenment, svaha. This photographic series explores the threshold between selfhood and dissolution, presence and absence. Nude, wrapped in transparent plastic, the body becomes both visible and veiled — suspended between exposure and erasure. The plastic membrane becomes a metaphorical chrysalis, a second skin that hints at suffocation and rebirth. Inspired by transcendental meditation (TM), this work investigates altered psycho-physiological states as liminal territories. Just as the Third Law of Thermodynamics implies the slowing of molecular motion toward absolute zero, TM evokes a subtle stillness — a…
Read moreTechnological engagement against nature for survival #enjambredigital

Inspired by reading Vilém Flusser, I created this video art piece. The technological engagement against nature for survival. The inevitability of death and the cycle of renewal. Human culture is absurd, a failed attempts to attain immortality by preserving information after its creator’s death in the form of artifacts that eventually crumble and fade. “technology & culture” are products of a “natural” neuronal circuits in human brains.
Read moreWearing Off

Wearing Off, 2017. Acrylic on Paper 35 x 38.7 x 0.1 cm Wearing Off the matter and intensifying the senses. The collection is compose by 12 works on paper.
Gilgamesh

Gilgamesh is the main character in the Epic of Gilgamesh, an Akkadian poem that is considered the first great work of literature, and in earlier Sumerian poems. … distress about Enkidu’s death causes Gilgamesh to undertake a long and perilous journey to discover the secret of eternal life. He eventually learns that “Life, which you look for, you will never find. For when the gods created man, they let death be his share, and life withheld in their own hands”. Gilgamesh, Buenos Aires, summer 2017. Painting, sgraffito Oil on canvas with back LED installation. Size: 120 W x 150 H…
Read moreCasa FOA 2016 :: Hadron Collider

FLORENCIA S.M. BRÜCK & JAVIER E. KRASUK Espacio de Arte #41 :: Hadron Collider Site Specific Art Installation – Suprasensorial // Experiments in Light, Color, Sound, Cinematic and Space. Acrylic on canvas, Size: 190 W x 120 H cm. with stainless still lines and light installation. Buenos Aires, Summer 2016 The art installation challenges the space as a container. Light cables expand from a contemporary acrylic painting to challenge the lines within the space/room combined with cinematics and sound to further experience a boundaryless space. The name “Hadron Collider” was inspired by the LHC in Switzerland, the world’s largest and most…
Read moreWhitening Objects

The form is so strong that even if I remove their colors they still have an identity. Change in context produced no change in accuracy, suggesting that access to memory for object color is independent of shape and texture information. Color seems to be an independently accessible feature of memory representation rather than an integral part of a prototypic representation. When things do not have a use anymore I just paint them white like if by removing their color they became invisible, but the objects are creating their own stories anyways. For more information read this study “Siple, P. &…
Read more8 Hour Journey
Stop–motion animation project developed in 8 hours, July 2016. Collaborative work. Abstract Painting, Animation, Sound, ScriptFlorencia San Martin Brück Animation, ScriptJavier Krasuk Figurative PaintingsLorena Wildberger Photography ShootingPavel Kraus SculptureDoris Maria Kofler
Read moreFlora’s augmented reality by proximity
Flora’s augmented reality. 2016. Oil painting on canvas and projection mapping. Like hiding secrets the painting will grow flowers in time. #oilpainting#contemporaryart#generativeart#mapping#art
Read moreThe pursue of abstract light.

Florencia Bruck creates her paintings using oil on canvas; she works with rubber brushes to remove paint creating multiple layers of different densities that are then lit from behind by custom LED structures. Illuminating the total surface is easy but she goes a step forward and illuminates only certain areas that allow the rich, deep colors of each layer to come alive and mesmerize the viewer. The light is controlled by a remote dimmer and the observer can adjust the intensity to his/her liking, creating a unique collaborative experience between the artist, the painting, the light and the viewer. The…
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