Camporsevoli 01, Italy, summer 2018. Painting, Ink and acrylics on canvas. Size: 300 W x 160 H cm. © 2018 Florencia San Martin Brück/Artists Rights Society (ARS), New York.
Generative Art that reacts to human movement and sound. Algorithms and rule sets are the ground for generative art – Artistic creation often starts with a conscious choice of these rules, but isn’t limited to any medium, topic, technique or philosophical context. Questions of order and chaos are intrinsically linked to these rules and determine its philosophical proximity to complexity theory (Stephen Wolfram and others). Generative art is either outcome or process of an artistic production based on autonomous systems – thus excluding human spectator agency. Interactive art, on the contrary, is based on spectator-ship agency. Interactive art is per…Read more
Our concept began by observing a behavior of disconnection between bodies and spaces, human and cities. So we decided to create two scenes expressing their relationship. In the first scene particles get emitted from people to represent the traces we leave that will eventually become the echoes of the past. In the second scene particles are autonomously generated creating a virtual space. There is an illusion that people pass by thinking they don’t affect the place and just observe it from a distance. But in reality human interaction in the space is highly connected and defines its identity. #vvvv #generativeart…Read more
Furniture in a repetitive vortex suspended into water. Representing the displacement from their homes that the people of Lviv after WWII and modern day refugees were subjected to. History keeps repeating itself in an endless loop. By projecting up onto the ceiling of the Palazzio, the viewer is forced to look up, the surreal scene of the spinning chair in water above gives the sense that they are submerged under water. The work sits in-between something peaceful but volatile and uses water as a metaphor for the turbulence that people feel in their life when forced to evacuate their homes.…Read more
CURL Sculpture, Copper.2018, Berlin.
Performance and sculpture works based on the theme of “Lviv, View from Inside – View from Outside”, led by Andrzej Welminski,Venice, Palazzo Zenobio. 2018 Hardly any other city is as much a projection screen of dreams, transference and traumas as Lviv. For some, Lviv is the city of the Austrian Monarchy culture, writers and philosophers such as Bruno Schulz, Josef Roth, Sholem Aleichem. And we identify with their art and writing. For others, Lviv is the city of the coexistence of many peoples, Poles, Jews, Armenians and German speaking. For others, Lviv means easing their feelings of shame of being…Read more
I don’t have a templeI don’t have a wallI leave a prayer noteon a simple rock
Gate gate paragate parasamgate bodhi svaha. If we restrict our attention to the regime of psycho-physiological states where conscious self-awareness is clearly present (that is, excluding sleep and dreaming), the pattern induced by the TM (transcendental meditation) technique may be expressed as a physiological analogy of the Third Law of Thermodynamics. Photography. Each print is signed and numbered by the artist.Ships in a tube. Single Edition of 12. Size: 70x49cm
Inspired by reading Vilém Flusser, I created this video art piece. The technological engagement against nature for survival. The inevitability of death and the cycle of renewal. Human culture is absurd, a failed attempts to attain immortality by preserving information after its creator’s death in the form of artifacts that eventually crumble and fade. “technology & culture” are products of a “natural” neuronal circuits in human brains.Read more
Wearing Off, 2017. Acrylic on Paper 35 x 38.7 x 0.1 cm Wearing Off the matter and intensifying the senses. The collection is compose by 12 works on paper.
Brass Knot Sculpture symbolizes the mind.
FLORENCIA S.M. BRÜCK & JAVIER E. KRASUK Espacio de Arte #41 :: Hadron Collider Site Specific Art Installation – Suprasensorial // Experiments in Light, Color, Sound, Cinematic and Space. Acrylic on canvas, Size: 190 W x 120 H cm. with stainless still lines and light installation. Buenos Aires, Summer 2016 The art installation challenges the space as a container. Light cables expand from a contemporary acrylic painting to challenge the lines within the space/room combined with cinematics and sound to further experience a boundaryless space. The name “Hadron Collider” was inspired by the LHC in Switzerland, the world’s largest and most…Read more
The form is so strong that even if I remove their colors they still have an identity. Change in context produced no change in accuracy, suggesting that access to memory for object color is independent of shape and texture information. Color seems to be an independently accessible feature of memory representation rather than an integral part of a prototypic representation. When things do not have a use anymore I just paint them white like if by removing their color they became invisible, but the objects are creating their own stories anyways. For more information read this study “Siple, P. &…Read more
Stop–motion animation project developed in 8 hours, July 2016. Collaborative work. Abstract Painting, Animation, Sound, ScriptFlorencia San Martin Brück Animation, ScriptJavier Krasuk Figurative PaintingsLorena Wildberger Photography ShootingPavel Kraus SculptureDoris Maria KoflerRead more
Like hiding secrets the painting will grow flowers when people get close to it. (generative art) .Read more
Florencia Bruck creates her paintings using oil on canvas; she works with rubber brushes to remove paint creating multiple layers of different densities that are then lit from behind by custom LED structures. Illuminating the total surface is easy but she goes a step forward and illuminates only certain areas that allow the rich, deep colors of each layer to come alive and mesmerize the viewer. The light is controlled by a remote dimmer and the observer can adjust the intensity to his/her liking, creating a unique collaborative experience between the artist, the painting, the light and the viewer. The…Read more
Barolo. Buenos Aires, summer 2014. Painting, Oil on canvas, Size: 59 H x 59 W in (150 H x 150 W cm). © 2014 Florencia San Martin Brück/Artists Rights Society (ARS), New York I went to a private party at “Palacio Barolo”, the building energy and its history got in me and from that night the inspiration of my painting “Barolo”. History Italian architect Mario Palanti was commissioned to design the building by the empresario Luis Barolo, an Italian immigrant who had arrived in Argentina in 1890 and had made a fortune in knitted fabrics. The Palacio Barolo was designed in…Read more
The Metaverse Whisperer… a real painting made with chinese ink, an audio file with the sound of water and birds and an animation depicting virtual birds whispering love in the metaverse. Available the 2160 × 2160 HD mp4 file. To receive the hi-res file, please contact firstname.lastname@example.org